Game Design, Programming and running a one-man games business…

Modern Technology: Please stop trying to be helpful

A minute ago, I tried reading an article on a super-popular news site. The page it opened had no scrollbar, and as with all modern ‘writing’, the top 800 pixels is a large image, rather than any text. Luckily, my laptop has a touch screen but….no joy. I still can’t scroll. I just assume that this is some stupid clash with ghostery, so turn it off. The site still cannot scroll. I’m sure the content must exist, I just am not technically able to access it.

I’m not an idiot, I used to be an MCSE qualified systems engineer. And yet in 2022, I cannot scroll a web page.

The problem, as I’m sure you have guessed, is some sort of stupid bug in what passes for web development code these days, where the scroll bar is handled by the page, not the browser, and it has decided, given various parameters, that it should hide the scrollbar from me, when in fact it is totally and utterly fucking wrong.

I am unsure as to precisely what this is trying to achieve. Back in the 1990s, web browsers just added vertical or horizontal scroll bars when they were needed, and we all got on with our lives. Apparently, in 2022, there is mass hysteria at the thought that I MIGHT see a scrollbar when I do not really immediately need it, and this would be a mortal threat to me. The sight of a scrollbar at any point in my life other than one nanosecond before I intend to use it, is apparently a fate worse than death.

GMail, before I gave up on its frankly appalling spam filter, used to pull the same trick on me. I have a lot of email folders, and this requires a scrollbar, which apparently would give me cancer if I saw it before I went ‘hunt the scrollbar’ with my mouse in its general direction.

I get it. Some graphic designer, who probably got into a lot of debt to get that degree, thinks that a scroll bar breaks the ‘clean simple’ look of their art / web page, and that my life would be simpler if I could never see it. Apparently it compromises the artistic vision of the designer if the web page includes any actual functionality.

Sadly, its not just functionality, but content that is actually offensive to these people. The layout of a web page is apparently an exhibit at the Guggenheim museum, not actual information that anybody would wish to consume. All news articles must contain a massive stock photo of some vaguely related phenomena with a proud GETTY logo in the corner, lest we confuse it with anything actually relevant. After scrolling past this waste of time, we are lucky if 50% of the available space contains any text, and thats even after ghostery has blocked all the ads, and after we ignore the ‘sponsored’ content.

Once you scroll past (tech permitting) the stock photos, the ads, and the sponsored concept, you are left with an amazing display of unfettered white-space. Acres and acres of plain white background. This is apparently clean. This is apparently simple. This is actually ridiculous. Apple removing the headphone jack was just the white-space/scrollbar trend in real life. Remove everything. Pad everything. Everything you buy must be a multi-layered unboxing ‘experience’ designed for Instagram, not common sense.

Just like the curse-of-white-space and the banishment of scrollbars, I find almost all modern tech trends designed to help me, actually hinder me. The chief example is of course the dreaded social media ‘algorithm’. I am yet to find a single tech site or service where I prefer their algorithm over a simple search/browse/directory structure. The worst possible offender has to be youtube.

Youtube’s algorithm is like a hyperactive puppy on amphetamines. You dared watch a video of someone playing a van halen song? Well OMG DO WE HAVE THE VIDEOS FOR YOU. Expect 50% of your suggested videos to be variations on that theme. If you dare watch another one, the puppy will get even more excited. WATCH MORE OF THE THING!!! it shrieks at the top of its voice into your eardrums. Meanwhile, a second puppy constantly pimps already-stupidly-popular but absolutely unsuitable videos that you have never shown any interest in, while a third puppy keeps suggesting you re-watch a video you literally watched an hour ago.

Streaming services are no better. Netflix is so in thrall with its algorithm that it actively lies. ‘Popular today’ means fuck-all. It means ‘stuff the algorithm thinks you want…which is popular today’. At one point I had to create a completely new Netflix profile called ‘not korean’ to escape its dumb-as-fuck constant pimping of NOTHING but Korean dramas to me. Amazon prime is even worse, actively promoting the latest football matches to me whenever there is some tedious football event. I have been an Amazon customer since the month the site launched. I have never, ever, in all these years, ever watched/streamed/bought/rented anything even tangentially related to any sport, ever. I assume there is a ‘sport’ section, which I could presumably find, if I suddenly change after 50 years.

Stop trying to help me. You are rubbish at it. If I go into a book store, back in the real world, (the one that is not infuriating), I see a ton of shelves, nicely labeled, showing me all the content on offer. Amazingly, my primitive brain enables me to browse, to decide what to show an interest in, what to look at, where to go. This works. Its worked for hundreds of years now. Its fine. But… imagine a bookshop where there were no shelves, no departments, no books, just a fucking annoying sales assistant holding up a ton of books that were the same as the last book you bought, yelling BUY THESE! THESE ARE WHAT YOU WANT!

I yearn for simpler times, not because I’m a technophobe, I’m a fucking computer programmer, but because I despise seeing so much effort go into efforts to actively make my life worse in so many tiny ways. If the text doesn’t fit in the box, show a fucking scrollbar. Not only when your machine-learning bullshit thinks I need it, but ALWAYS. If I have something that is laughably called a ‘timeline’ in your social media app, then ONLY EVER show it by time.

In a line.

Its not much to ask.

What income can you get from your old indie PC games?

There are a whole lot of different strategies for running a pc games business. I know people trying a bunch of different strategies and here are a few:

  • Publisher-funding model. Get publishing deals, and charge enough for the development milestones that you make a profit regardless of whether the final game makes a profit or not.
  • Patron model. Using patreon, or kickstarter or other methods, build up a loyal fanbase that pays you money to make games, regardless of whether they play them, or buy them in any quantity.
  • Straight sales model. Self-fund games, release them to the world as self published titles and hope the royalties exceed the development costs on a continual basis.
  • The big hit model. Go all-in, on a big title you bet your entire financial resources on, including remortgaging house/car etc. Assume that scale brings its own bonuses, and that the huge payoff outweighs the risk.
  • The continual release model. Release multiple games each year, maybe one a month, hoping that over time, the long tail builds up a relatively stable income.
  • The searching-for-a-hit model. Similar to continual release, but in this case the aim is to hope to strike it big with a sudden hit. Always be poised to drop everything and ramp up any game that gains initial traction.

Unless you didn’t already know, my method is the straight sale model. I’m pretty conventional in that I think the model where you just make the best games you feel comfortable with, from a risk POV, and aim to have them sell enough to result in a profit… is the most ‘normal’ and sensible way to do things. This plays to my strengths, because I’m not scared of risk, but not nuts, and also not a people-person as you need to be with patreons etc, and as a self-code-engine guy, I’m not churning out quick asset flips hoping for a hit.


Because of the sheer bloody-minded determination to stick around, it turns out I have been making commercial aimed games since 1997, and therefore I have ended up with a big bunch of older titles that still run on most PCs, and can still generate revenue. have I perhaps become the ‘long-tail-indie’ just out of sheer hanging around? Could it be that actually positech games is self-sustaining on the basis of really old games, that although they do not sell much each, combined they add up to a tidy sum?

I’ll be honest, I have no idea how much those older games make without digging into the data, but I thought either way it might be interesting, so here goes.

Kudos 2 (2008)

This was the first game I made that made proper ‘omgz’ money. I got a cheqck one month for $20,000 and it was on the basis of that game, selling on about 15 different casual games portals. This was amazing. It was however, a long time ago now… 2008 apparently. This was certainly not my first game, mobygames catalogs a bunch of earlier ones, but it was the first one to make enough money that its worth even looking at the numbers.

Kudos 2 is unusual in that its not on steam. I also actually made it free on itch last year, but people tend to follow old buy links, and I still sell copies through BMT micro. Lets look at the last 365 days income from Kudos 2 for BMTMicro:

269 copies for a total of $1,463.69

Not bad, but this is pretty much the only income for the game. I accept donations on itch for it, and earned another $49

Gratuitous Space Battles (2009)

I always think of this as the game that was released on steam the day I moved house. That was a stressful day. Anyway… its old now (2009), and its on steam, and sold through BMT Micro, and also sold through apple on various devices. Lets check the last 365 days data:

Steam net income: ~$8,700 Apple sales: $0 BMT sales: ~$120

I actually forgot that apple sales were zero now because apple decided anybody who wanted to play 32bit games on devices they bought and paid for could go fuck themselves and revoked that ability, so there you go. Just one of many reasons I despise the company. But anyway… its about nine thousand dollars in the last year. Which for a game released 13 years ago is… pretty amazing?

Gratuitous Tank Battles (2011)

This is a game I often consider a flop, but its not really because it made a decent return at the time. However, its a game I have kind of forgotten about, after I made a single expansion pack. Its now 11 years old, so how is it doing?

Steam net income ~$550 BMT sales: ~$14

Whoah what the hell? Are those number correct? Yes they are! pretty bad. But why? I think its because the total peak sales of Gratuitous Tank Battles never managed to hit a real escape velocity. When it comes to long-tails for games, I get the impression that there are basically two scenarios:

The ‘Meh’ game.

This sort of game sells some copies, and maybe makes a profit, but it never really ‘takes off’. You don’t see dozens of youtubers covering it, there are not more reviews on websites than you can count. The community for the game never really gets going. Its not a watercooler discussion topic. People see its released…some buy it. And then its over. Gone. Done. The end.

The ‘Hit’ Game.

This doesn’t have to be Minecraft. It can just be a game that hit a certain threshold. I don’t know what that threshold is, but my best guess is $1-1.5million gross sales on steam. Once you hit that sort of level, you have a ‘community’. There are people posting online about the game every day. People who ask questions get community answers. People make mods, and the game thus expands. There is justification for DLC, which leads to more news, more coverage and more players, and you get a flywheel effect.

GSB and Kudos 2 hit the ‘hit game’ level. Kudos 2 is now so old its become irrelevant, but amazingly GSB still sells a non trivial number of units each year, and makes comfortably more than beer or coffee money.


I think a lot of developers get frustrated that they are constantly in a grind, always having to desperately work on a new game to hopefully release it in time to survive the drop in royalties from the last one. Residual income from old games is almost zero, so you are constantly working away like a developer on a production line, never getting to relax.

I suspect many of these developers are at 90% between ‘meh’ and hit, but the problem is, being 90% of the way is not enough. Its pushing really hard on that flywheel, and feeling absolutely despondent, because you simply cannot see that point in the future where the momentum takes over. Its very, very easy to think things will never change, and that extra effort on a ‘failed’ game is simply not worth it. I totally understand why people do not push things that extra mile, when it feels like you have been pushing for the last 99 miles and got nowhere.

FWIW I think this applies to almost all endeavors, but especially creative ones that require popularity. I used to be in struggling heavy rock bands, and the constant putting up of posters and handing out of flyers for gigs, in the seemingly futile, pointless effort to get a few people to show up is soul-crushing and demotivating.

But in a sense, that explains why so many fail. Only dumb optimism or sheer bloodyminded obsession with success can possibly explain why some people still go out every single night and stick up those posters or give out those flyers, or keep tweeting and blogging about their video game. It always looks hopeless, totally and utterly futile, and impossible odds, and never gets you anywhere…until it does.