Ok, so today I went along to Kingston university to be their guest at a games production course. It was pretty interesting, and fantastic that they thought to invite not one, but two indie devs (I was the second one) to go talk to students. I LOVE the idea that students on games courses aren’t automatically told ‘now go get a junior tester job at EA’ at the end. It seems that being an indie developer is considered a pretty reasonable career move now, which is awesome.<\/p>\n
The students games were a mixed bag. Some had some really cool ideas. One of them had a really marketable, really clever, really original (I thought anyway…) character as the hero. Some of teams had obviously thought quite hard about business strategy for their game. Some had not…<\/p>\n
What I tried to get across to them, and in retrospect I was *really* easy on them, with this point, is that the competition for game development jobs, sales, and success is HUGE.\u00a0 Assuming that people doing this course see themselves, eventually as being a lead programmer\/artist\/designer on some big budget cool game in a few years time, they massively need to up their game by a scary amount.<\/p>\n
If you are doing a game design or production course right now, you need to not only be top of your class, you need to be sailing past that goalpost so it’s a distant memory. You need to be clearly, unambigously, demonstrably the very very best at what you are doing. Think of it like this:<\/p>\n
So you need to absolutely flipping blow people away with your skills and your portfolio. If you are a coder, that means having straight A’s in everything, and knock-out demos that prove you have serious mastery of your language(s). If you are an artist you need a BIG portfolio showing stuff that makes people go *wow*.\u00a0 If you are a designer, you need a large number of diverse, fully designed, fully described, game designs in different styles. You need to be able to critique a game design idea read out to you, on the spot. Can you do this?<\/p>\n
If you don’t have that, the job will go to one of the 99 other applicants who have all of those. If you think I’m kidding, I’m not. I’m a humble one-man studio and I regularly get sent CV’s from people wanting a job. I suspect Bioware and Valve get quite a few more :D<\/p>\n
And that is to get a job at an existing studio. Running your own studio has a whole set of extra challenges and demands. This is an awesome job, and a great industry. It is, not surprisingly very difficult to get to do this.<\/p>\n","protected":false},"excerpt":{"rendered":"
Ok, so today I went along to Kingston university to be their guest at a games production course. It was pretty interesting, and fantastic that they thought to invite not one, but two indie devs (I was the second one) to go talk to students. I LOVE the idea that students on games courses aren’t<\/p>\n